The Rise of the Dark Side

[thefourthvine]

Okay, so a few months ago I made a playlist for Best Beloved (based around the theme of heroes and saving the world, additions still gratefully accepted) featuring the song Michael (Jump in), which is actually written (Jumpin) in the version I bought, but I refuse to believe that. Anyway, what I didn't realize when I put the song on the mix is that it is, at least according to BB, a song written by a car to David Hasselhoff.

Best Beloved spent some time explaining this concept to me - apparently, the car was an artificial intelligence, and together he and Michael (played by David Hasselhoff) fought crime. And then I asked her about the line in the song that goes:

"It's not like you/To turn your back and let the dark side win"

Obviously, this gave me a mental image of the show as a kind of Star Wars crossover, where Michael was a Jedi and the car was his - trusty, um, whatever. Racer-thing, maybe. Basically, I was sort of envisioning David Hasselhoff as Anakin Skywalker, which made my brain hurt.

BB explained to me that, no, it wasn't about Michael's dark side. "Because I don't think he really had one," she said.

"But without angst, what do you write about in the third season?" I asked her.

She didn't know. Apparently her television knowledge is not that encyclopedic.

Thinking about it, though, I'm not sure I can imagine this concept. He's a lone wolf white guy out to save the world with just his car (and, I'm guessing, his fists or maybe a gun, although BB did not go into that part)! Surely he must have:

1. Angst, including a tragic back story.
   
2. A dead wife or girlfriend or kid something, or maybe just one who left him with prejudice after she found the photos of him with a puppy on his dick. (Warning for a dude with a puppy on his dick. NSFW, is what I'm saying. Also possibly not all that safe for your brain.)
   
3. A constant struggle with the dark side, whether it be his alcoholism or his desire to eat people or his evil twin or his general dickishness or whatever.

You can't have TV without those things, is my understanding. Even in Sports Night, a half-hour comedy show, Danny had a dead brother, a bad relationship with his parents, and some kind of major emotional breakdown including acting out on air. He had plenty of angst! He had a dark side! He was a news anchor on a half-hour comedy show. So I really don't see how a crimefighter with an intelligent car could get out of this. (BB does recall that the car apparently had some angst. And an evil twin.)

Except, as previously documented extensively in this space, my understanding of TV is limited and narrow. So - can you have TV without those things? I mean, are these the actual requirements, or am I just confused? And if those are the requirements, was it always that way? Can you pinpoint an era as the Rise of Main Character Angst? What about Main Character Dark Sides?

Tell me about angst and dark sides on TV, is what I'm saying!

Comments

[sage]

Okay, this is going back before TV, but I've been listening to the old Gunsmoke radio show, which is super-dark and desperately angsty. Matt Dillon is openly lonely and depressed, his only love interests are the madam of the local house of ill repute, he can't trust any of his acquaintances because odds are he'll have to arrest them, and he frequently doesn't save the day at all.

It's a far cry from the made-for-television Gunsmoke, which tended to be much more light-hearted and typically had a happy ending where justice was done. The radio version was a lot grittier and more "western noir" -- it was totally aimed at fans of Philip Marlowe and Sam Spade, and it was normal for all those protagonists to have a mysterious, aloof, and vaguely tragic past...although they didn't generally reveal too much of it. Pre-1950s, there was a lot more male emoting, but 1950s media -- maybe a cold war thing? -- told the men to be stalwart where ten years before they could cry on screen.

What's interesting to me is that the radio show really holds up...and it might be because Marshal Dillon is such an angst-muffin. You feel for the guy.